Noah Hawley doesn’t know if he’ll make another season of Fargo. He’s said so himself in the past. When he’s working on a season of the acclaimed FX series, he’s not thinking about the future. Hawley is telling one story at a time. If he has another story to tell, he’ll tell it, but he’s in no hurry. To FX’s credit, they’re not already pushing for more.

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Below, FX Chief John Landgraf comments on whether we’ll see Fargo season 4 happen or not. We’re midway through another excellent season of Fargo. Serial Turcesc Havin To Ate Episoadele Din Soy Luna In Romana there. With only three seasons so far, the show’s creator has taken his time by not cranking out a season every year. FX chief John Landgraf has no interest in doing that either, from the sound of it. Unless Hawley wants to go back to Minnesota, season three could be the end of Fargo, which is what John Landgraf told. Fargofans probably would rather never see another season of Fargo instead of a rushed one. What’s comforting is Hawley is an idea man, someone who can make completely different shows like Fargoand Legion, write novels, and maybe even go from directing television to film.

You’d imagine someone with his imagination would think of another Fargostory to tell, but we’ll have to wait and see if he does. As he said, he’s okay waiting four years to return to the show if the inspiration strikes, but there is, as Landgraf pointed out, the possibility of that not happening. Baywatch has faced a tsunami of middling to bad reviews, but that won’t stop the comedy-action movie from jetting forward to a sequel, and possibly, a franchise. Producers and writers are already planning a sequel to Baywatch with the cast, led Dwayne Johnson and Zac Efron, returning in their roles. Baywatch itself is a big-screen reboot of the popular ’90s TV show starring David Hasselhoff and Pamela Anderson, and a sequel would somewhat follow the footsteps of the successful movie reboot of 21 Jump Street. Though, according to reviews, that’s the only thing they have in common. Baywatch producer Beau Flynn told Variety that he and writers Damian Shannon and Mark Swift, who co-wrote the script for the first movie, have a rudimentary plan for Baywatch 2.

Chopra is the villain of the film so it seems unlikely she’ll return for the second. And what of Johnson and Efron? Well, Johnson is this movie’s most dedicated hype man, and is one of the driving forces behind the movie making it to the big screen, acting as the lead star and producer. With Johnson at the forefront of other massive blockbusters like Fast and Furious, the upcoming Jumanji, and solo supervillain movie Black Adam, the world’s best paid actor would have his hands full.

But he would probably sign on for a sequel anyway. News tratta da ' Variety' Netflix had never canceled an original scripted drama series — until this week. On Wednesday, the streaming service pulled the plug on “ The Get Down,” one of the most expensive series in television history, with a first season that cost at least $120 million for 10 episodes. Despite recent assurances that creator Baz Luhrmann that a second season was in the offing, Netflix decided not to move forward with the Sony Pictures Television show.

According to data from research firm Parrot Analytics, U.S. Viewer demand for “ The Get Down” never matched that of buzzier Netflix shows such as “ Stranger Things ” and “ The Crown.” It also failed to outshine comparable linear series, including HBO’s canceled “ Vinyl.” Parrot uses a proprietary demand-expression metric incorporating desire, engagement, and consumption measurements to gauge audience activity around a show. A report prepared for Variety found activity around “ The Get Down” to be minimal in the weeks following its release. 11, 2016 through May 24, 2017, “ The Get Down” registered 26.6% of the viewer demand for “ Stranger Things” and 83.5% of the demand for “ The Crown.” “The Get Down” enjoyed a relatively strong start, with 19.8 million demand expressions in its first week on Netflix. “The Crown” was 8.3% higher with 21.4 million demand expressions in its first week, beginning Nov.

Netflix split season one of “ The Get Down” into two parts. While the premiere of part two April 7 gave the series a slight bump in audience demand for two weeks, that bump failed to sustain, with demand quickly regressing to a lackluster baseline. Parrot also compared demand for “The Get Down” to that for two linear dramas rooted in music — Fox’s “ Empire” and HBO’s “ Vinyl.” Unsurprisingly, “Empire” — one of the most watched series on television — far outperformed “The Get Down” in audience demand. When compared to “Vinyl,” the “ The Get Down” averaged 92% more demand than the HBO show for the Aug.

11-May 24 period. But that’s no great accomplishment, considering that “Vinyl”had been canceled long before that stretch began. In between the premieres of parts one and two of “The Get Down” season one, the series showed a baseline level of demand near or lower than a show that had already been killed. Looking at international markets, “ The Get Down” was far outperformed in Brazil and France by “ Stranger Things. Ems Sql Management Studio 2011 For Mysql Serial. ” In Brazil, the Luhrmann series performed on par with “ The Crown,” with neither able to muster much demand. In France, “ The Crown” preformed slightly better.