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G Force Platinum Keygen Photoshop. Dogghouse records and its flagship act,, at first admittedly seemed like a questionable venture on the part of back in 1999. After all, his reputation wasn't exactly on solid ground at the time, and his timing wasn't exactly ideal either -- West Coast rap in general had faltered ever since 's death. Yet despite the odds, everything worked out for. The debut album didn't exactly set the charts on fire, but it did garner some respectable sales and, more importantly, it set the precedent for 's post-No Limit sound: and laid down the beats;,, and sung the hooks; loomed above with his sticky-icky ad-libbing; and and dropped the gangsta rhymes. Finds this sure-fire team of Cali crips returning a year and a half later, far more experienced and with a noticeably greater sense of camaraderie. In practically every way, is a noticeably stronger album than its predecessor -- beats, rhymes, hooks, songwriting -- and it features even more talent with unlikely contributions from,,, and. But it's the in-house talent that steals the show on, in particular newcomer and the ubiquitous, two vocalists who offset the gruff rapping in nearly every one of the album's 20 songs with their singing.

Furthermore, for every straight-ahead gangsta rap song here, there's an unexpected venture into rap-soul such as 'So Low,' where there's more singing than rapping. This balance between brash posturing and laid-back crooning seems to be 's new sound, and you can't help but feel that it's an inevitable evolution for the '70s funk/soul-influenced West Coast sound. So even if could use a few more hooks, it shows that is headed in the right direction. If Dogghouse can avoid inner strife and continue to blossom, it could realistically change the sound of West Coast rap just as Death Row did a decade earlier when was just a pup.

We gave it a B With its tangled allegiances, the hip-hop world often seems like a soap opera. The melodrama really lathers up this month, with three releases from the extended Dogg Pound family.

Doggfather Snoop presents his latest proteges, Tha Eastsidaz, on a well-produced, surprisingly delicate and diverse ode to the Long Beach Crips that invites along rivals and outsidaz like Hi-Tek, the Alchemist, Mobb Deep, Swizz Beatz, and Lil’ Mo. On his second solo album, former Snoop student Kurupt heals wounds he helped create, shouting out to former nemesis Jay-Z and offering street cred to guests Everlast and Fred Durst. On 2002, Death Row CEO Suge Knight confuses alliances with a set of never-released tracks spanning his label’s history: Snoop raps on some cuts but is called a snitch on another. 2Pac brags about being a ”Bad Boy killer” and rehashes the ugliness that Snoop and Kurupt seem intent on moving beyond. ”Eastsidaz” Grade: B+; ”Kurupt” Grade: B; ”Tha Dogg Pound” Grade: C.