Korg Forums:: View topic - Roger patch for MicroKorg XL Korg Forums A forum for Korg product users and musicians around the world. Moderated Independently. Owned by Irish Acts Recording Studio & hosted by KORG USA ->:: Author Message johntee Joined: 10 Jan 2013 Posts: 13 Posted: Mon Sep 09, 2013 5:06 pm Post subject: Roger patch for MicroKorg XL Hi, I've seen a guy on YouTube using what he says is his own version of 'The Roger Patch'.

He's modulating his patch with a 'Talkbox'. My question, where can I find the original 'Roger Patch' and how can I put this onto my MicroKorg XL Cheers, John PS. I've made my own 'Talkbox' from a commercially bought micro guitar amp ( £17 sterling in the UK ) which runs from a 9v battery. Pretty good results for so little cash and an hours work evilsweetiepie Joined: 18 Apr 2012 Posts: 17 Posted: Tue Sep 10, 2013 7:37 pm Post subject: With a synth talkbox patch, all it usually is at base is sawtooth or pulse waveform, something with sharp harmonics. Do NOT go on ebay and look for a talkbox patch sheet to buy, it's a total ripoff. Just tweek with the said waveforms on your synth until you get it how you like it. Johntee Joined: 10 Jan 2013 Posts: 13 Posted: Wed Sep 11, 2013 9:02 am Post subject: evilsweetiepie wrote: With a synth talkbox patch, all it usually is at base is sawtooth or pulse waveform, something with sharp harmonics.

Related Song Microkorg Piano Patch Tutorial. Cali Love talkbox with micro korg. Troutman talkbox patch roger discussion. Roger Troutman Depending on your.

Do NOT go on ebay and look for a talkbox patch sheet to buy, it's a total ripoff. Just tweek with the said waveforms on your synth until you get it how you like it. Hi evilsweetiepie, Thanks for your help and advice, it's much appreciated.

I have tried tweaking various waveforms with some success but thought there was an original waveform created by 'Roger' which may give better results. I'll therefore seek out nice harmonic rich sawtooths and manipulate them to suit my needs. Many thanks once more. Cheers, John evilsweetiepie Joined: 18 Apr 2012 Posts: 17 Posted: Wed Sep 11, 2013 1:13 pm Post subject: 'Roger' Is referring to Roger Troutman, one of the most known talkboxers.

He mostly is known to have used a Yamaha DX100, which is an FM synth, very different than the Microkorg. But still, no difference, you can easily do it with any other synth. Johntee Joined: 10 Jan 2013 Posts: 13 Posted: Thu Sep 12, 2013 7:02 am Post subject: evilsweetiepie wrote: 'Roger' Is referring to Roger Troutman, one of the most known talkboxers. He mostly is known to have used a Yamaha DX100, which is an FM synth, very different than the Microkorg. But still, no difference, you can easily do it with any other synth. Brilliant evilsweetiepie, I've googled Roger Troutman (RIP), he certainly was the founder of the talkbox sound. He died so young, so sad for the music scene, but his sound can be re-created any time thankfully Cheers John Display posts from previous: ->All times are GMT Page 1 of 1 Jump to: You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum.

I've seen an earlier post on how to get that Roger Troutman HARMONY sound from the talk box in the studio. It helped me tremendously. I'm talking to everyone who are working studio software with unlimited track choices. Personally I am using Presonus Artist 2, a Rocktron Banshee talk box and a Yamaha DX-100. For good Roger talk box HARMONY sound try this. Try to find -100 keyboard which is difficult or probably easier.

Orient World Keygen Download. Get the settings from You tube in which there are tutorials for that which will walk you through to get your patch right (sawtooth patch). In the studio, you will need at least 4 vocal tracks for your perfect sound. Use your melody which I choose as the 1 of the chord or the tenor voice on one track. Next, record the 3rd as your alto and pan it to the left in your studio recording on another track. Record the 5th or the soprano and pan it to the right on its own track as well. Last, record an octave above the 1st and leave it centered the same as the melody on its own track. In summary: 1st centered melody (tenor), 3rd (alto) panned to the left, 5th (soprano) panned to the right and another centered track an octave above the 1 or the melody.

Download The Lungi Dance Video Song. Equalize them the same. Compress them to your preference. Now all this may vary per application. Hope I've helped some one. Last edited by Ron Ford; at 05:25 PM. Not really difficult at all. Set up you 4 tracks and label them as for instance: Track 1 (main), Track 2(alto), Track 3(soprano) & Track 4(an octave above track 1).

Use your main track (track 1) for all of your melody vocals or how you would sing it normally. Pan your 3rd and 5th of the chord in opposite directions.

One left and one right. And leave Track 4 centered but an octave above the melody. ---Recording them in real time like this, you will get a normalized effect which is good.

If you want to use plug-ins like Melodyne to harmonize and produce octaves, then you need to use a milli-second delay on the tracks to make it more stereo phonic and to prevent phasing. In other words, the old school way will work better. It will save you the confusion of playing around with a lot of effects and plug-ins.